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Strong Men'S Fashion To Return To Milan Fashion Week
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< p > I wonder if I have smelled the smell of change in the air during the creation, or are conservative about the prospect of the luxury market in 2014. In this year's Milan men's wear week, many a target= "_blank" href= "//www.sjfzxm.com/" designers "/a" have chosen a relatively conservative but masculine style. < /p >
< p > < strong > Christian. Y < /strong > /p >
"P", "feminism", has been surging forward in the 60s and 70s of last century, making continuous efforts to make women play a more important role in the whole social structure. In retrospect, it seems that the "patriarchal movement" is more worthy of our encouragement, especially in the delicate fashion circle. As we enter the new century, we never see anything like the advertising and fashion works of men in the 80s of last century, which are praising men's calm, handsome and powerful. Instead, they are "fragile temptations" and become the mainstream of male fashion. In the early autumn of 2014, men's clothing week in Milan autumn and winter, a steady and restrained force is coming strong, so many fashion commentators are making a voice: "men's clothing has finally begun to take care of the basic needs of men." < /p >
< p > < strong > regression basic appeal < /strong > < /p >.
< p > to talk about what kind of fashion men should wear, the first thing to figure out is why men dress. According to the view of < a target= "_blank" href= "//www.sjfzxm.com/ > > clothing > /a > Art History": there are three reasons for dressing: "protecting oneself", "expressing oneself" and "marking self", starting from the most physical "cold protection" theory of "cold protection", and then to the "performance theory" of beautifying oneself and arousing sexual desire, and finally to the "sign theory" as a distinguishing mark of class, clan, etc. these three reasons have all been intertwined. Men's dressing is also based on these three needs, but with the change of society, the emphasis of men's dressing is making different adjustments. According to the view of Geted Lenit (Gertrud Lehnert) fashion, "men and women dress until fourteenth Century, and then pay attention to gender differences. In 17 and eighteenth Century, they become more consistent with women and even more exaggerated than women. After the French Revolution, the modern form of male fashion was gradually formed and separated from women's clothing. Men still dress around the three ancient reasons and are still showing off. They are still performing, but they no longer decorate themselves but decorate their wives and daughters, and the male image becomes relatively fixed and dreary. In modern times, men began to talk openly about fashion and discuss the beautiful road. < /p >
< p > in recent years, men's fashion has not only deviated from the male fashion fashion of "patriarchal society", but also has entered almost crazy level, and has entered Loewe as the design director's J.W.Anderson. In recent seasons, it has launched a series of men's clothing which is the same as women's wear. Its iconic work is a lotus leaf skirt. Although the sales performance is not very clear, it has attracted enough topics, coupled with the crazy interpretation of numerous street patlons. The fashion industry has passed on to the public in invisible fashion. It seems that men's fashion has really gone to the awkward position of borrowing "a target=" _blank "href=" http:/ /www.sjfzxm.com/ "clothes" /a ". The fact is, like the fashion of the French Revolution, the "trousers party" has made full preparations, ushering in a new era in the hot streets. Those pretentious men's clothes will soon be abandoned. The leading Ermenegildo is the 2014 autumn winter's Zegna. < /p >
< p > in London Fashion before the Milan fashion week, we saw how to change the Burberry Prorsum as a whole London wind vane. Christopher Bailey Bailey, who is promoted to CEO and director of design, is still a more radical design such as mesh T-shirt, but the whole design style is more mature. And we also seem to see the shadow of Jim Jones (Kim Jones). Those adventurous blankets have appeared on the show of Louis Vuitton, and Louis Vuitton is the representative of the tough men's wear. "Christopher" The London Fashion Week, which has never followed the rules, has seen such a clue. It is only a matter of time before it starts to shine. < /p >
< p > < strong > masculine implicit expression < /strong > < /p >
< p > back to the biggest battleground of men's clothing in the world. Milan men's wear week, we have received too many such signals. Corneliani, Costume National, Calvin Klein Collection, Salvatore Ferragamo, Jil Sander and Jil, don't know if many designers have smelled the smell of air change during the creation, or are conservative about the prospect of the luxury market in 2014. These brands have chosen the conservative style but not the details of men's clothing. < /p >
< p > look at the design career of Stefano Pilati (Stefano Pilati), he has been struggling with the "proportion" and "profile", both previous YSL and current Ermenegildo Zegna can prove this point. This season's Ermenegildo Zegna has become very fashionable in Pilati's hands, while still obeying the basic principles of restraint and self-discipline. Ermenegildo Zegna is no doubt a big man in the men's world. They have the highest specification of the fabric development system, and Pilati has enough autonomy here, he said in an interview, "this is a dialogue, a dialogue from a different fashion point of view." Although this explanation is specious, we see a lot of excellent designs, especially the matching of western style outfit and jacket, cardigan, sweater and so on. It is very inspiring. He almost reinvented the logic of fashion. The whole show only the mustard yellow at the end can be used for a little brighter, and the rest is basically swaying between black, white, grey and blue. After giving up color, noisy themes and cunning decorations, he had enough room for visitors and himself. {page_break} < /p >
< p > and Ermenegildo Zegna calmly describe the way of men's wear is slightly different. The new Calvin Klein Collection new series of Tarlow Zucchelli Italo's knife is full of artillery fire, and the designer himself claims that the essence of this series is "city work clothes" (Urban workwear), a large number of military green, air force jackets, and split coat, with a sense of conquest, which illustrates everything. The purpose of the military uniforms is to build a city soldier who can save the world. They are heavy and reserved, but have enough shoulders to shoulder the bramble future. Mousika and Calvin Klein Collection are interesting to see Versace, whose fashion this season is a man who has been mixed up in the streets, such as the locomotive party and the flying pants in the open pants. Versace is very decorative for fashion presentation, and when a big show comes down, the designer's final perspective stays on the "gay" men who emphasize too much masculinity. They keep emphasizing their "masculinity" day and night, and the reason is self-evident. < /p >
< p > Jil Sander, which has a great reputation among young male groups, is facing enormous challenges. Once again lost the leader of SED's brand team, the report cards handed out this season can only be said to be unsatisfactory, without merit or merit. In addition to the last appearance of the coated flashing fabric, the cut trousers are a little disappointing, and the overall style of the show is still very masculine. Although not as tough and straightforward as Calvin Klein Collection and Versace, but considering its design targets are those growing teenagers, Jil Sander has also failed to live up to the expectations of fashion fans. Another thing to mention is that Marni, Bottega Veneta and Costume National are basically created on the road of "obstinate growth". The opening of the Costume National is a combination of grey coat and black sweater and trousers, giving people a refreshing feel. In the Bottega Veneta show, the dyed sweater is decorated with many stains like blocks. The effect is good, and it is also pleasing. Tomas Maier, the incumbent creative director of the brand, has won the exuberant compliment of veteran Fashion Critic Tim Blonk (Tim Blanks). Think of the men who sweat in the garage to repair cars. It's not difficult to guess the sexy images behind the design. < /p >
< p > no matter how fashions change, as long as the basic social structure exists, the gender differences exist between men and women, then men's clothing will not be contaminated with women's clothing. As H Alice has described in "psychosexual research", "clothing is the implicit expression of sexual desire". The ultimate goal of men's clothing is to add more charm to men. The scope of glamour is very wide, but what really strikes people is the "pure man". < /p >
< p > I wonder if I have smelled the smell of change in the air during the creation, or are conservative about the prospect of the luxury market in 2014. In this year's Milan men's wear week, many a target= "_blank" href= "//www.sjfzxm.com/" designers "/a" have chosen a relatively conservative but masculine style. < /p >
< p > < strong > Christian. Y < /strong > /p >
"P", "feminism", has been surging forward in the 60s and 70s of last century, making continuous efforts to make women play a more important role in the whole social structure. In retrospect, it seems that the "patriarchal movement" is more worthy of our encouragement, especially in the delicate fashion circle. As we enter the new century, we never see anything like the advertising and fashion works of men in the 80s of last century, which are praising men's calm, handsome and powerful. Instead, they are "fragile temptations" and become the mainstream of male fashion. In the early autumn of 2014, men's clothing week in Milan autumn and winter, a steady and restrained force is coming strong, so many fashion commentators are making a voice: "men's clothing has finally begun to take care of the basic needs of men." < /p >
< p > < strong > regression basic appeal < /strong > < /p >.
< p > to talk about what kind of fashion men should wear, the first thing to figure out is why men dress. According to the view of < a target= "_blank" href= "//www.sjfzxm.com/ > > clothing > /a > Art History": there are three reasons for dressing: "protecting oneself", "expressing oneself" and "marking self", starting from the most physical "cold protection" theory of "cold protection", and then to the "performance theory" of beautifying oneself and arousing sexual desire, and finally to the "sign theory" as a distinguishing mark of class, clan, etc. these three reasons have all been intertwined. Men's dressing is also based on these three needs, but with the change of society, the emphasis of men's dressing is making different adjustments. According to the view of Geted Lenit (Gertrud Lehnert) fashion, "men and women dress until fourteenth Century, and then pay attention to gender differences. In 17 and eighteenth Century, they become more consistent with women and even more exaggerated than women. After the French Revolution, the modern form of male fashion was gradually formed and separated from women's clothing. Men still dress around the three ancient reasons and are still showing off. They are still performing, but they no longer decorate themselves but decorate their wives and daughters, and the male image becomes relatively fixed and dreary. In modern times, men began to talk openly about fashion and discuss the beautiful road. < /p >
< p > in recent years, men's fashion has not only deviated from the male fashion fashion of "patriarchal society", but also has entered almost crazy level, and has entered Loewe as the design director's J.W.Anderson. In recent seasons, it has launched a series of men's clothing which is the same as women's wear. Its iconic work is a lotus leaf skirt. Although the sales performance is not very clear, it has attracted enough topics, coupled with the crazy interpretation of numerous street patlons. The fashion industry has passed on to the public in invisible fashion. It seems that men's fashion has really gone to the awkward position of borrowing "a target=" _blank "href=" http:/ /www.sjfzxm.com/ "clothes" /a ". The fact is, like the fashion of the French Revolution, the "trousers party" has made full preparations, ushering in a new era in the hot streets. Those pretentious men's clothes will soon be abandoned. The leading Ermenegildo is the 2014 autumn winter's Zegna. < /p >
< p > in London Fashion before the Milan fashion week, we saw how to change the Burberry Prorsum as a whole London wind vane. Christopher Bailey Bailey, who is promoted to CEO and director of design, is still a more radical design such as mesh T-shirt, but the whole design style is more mature. And we also seem to see the shadow of Jim Jones (Kim Jones). Those adventurous blankets have appeared on the show of Louis Vuitton, and Louis Vuitton is the representative of the tough men's wear. "Christopher" The London Fashion Week, which has never followed the rules, has seen such a clue. It is only a matter of time before it starts to shine. < /p >
< p > < strong > masculine implicit expression < /strong > < /p >
< p > back to the biggest battleground of men's clothing in the world. Milan men's wear week, we have received too many such signals. Corneliani, Costume National, Calvin Klein Collection, Salvatore Ferragamo, Jil Sander and Jil, don't know if many designers have smelled the smell of air change during the creation, or are conservative about the prospect of the luxury market in 2014. These brands have chosen the conservative style but not the details of men's clothing. < /p >
< p > look at the design career of Stefano Pilati (Stefano Pilati), he has been struggling with the "proportion" and "profile", both previous YSL and current Ermenegildo Zegna can prove this point. This season's Ermenegildo Zegna has become very fashionable in Pilati's hands, while still obeying the basic principles of restraint and self-discipline. Ermenegildo Zegna is no doubt a big man in the men's world. They have the highest specification of the fabric development system, and Pilati has enough autonomy here, he said in an interview, "this is a dialogue, a dialogue from a different fashion point of view." Although this explanation is specious, we see a lot of excellent designs, especially the matching of western style outfit and jacket, cardigan, sweater and so on. It is very inspiring. He almost reinvented the logic of fashion. The whole show only the mustard yellow at the end can be used for a little brighter, and the rest is basically swaying between black, white, grey and blue. After giving up color, noisy themes and cunning decorations, he had enough room for visitors and himself. {page_break} < /p >
< p > and Ermenegildo Zegna calmly describe the way of men's wear is slightly different. The new Calvin Klein Collection new series of Tarlow Zucchelli Italo's knife is full of artillery fire, and the designer himself claims that the essence of this series is "city work clothes" (Urban workwear), a large number of military green, air force jackets, and split coat, with a sense of conquest, which illustrates everything. The purpose of the military uniforms is to build a city soldier who can save the world. They are heavy and reserved, but have enough shoulders to shoulder the bramble future. Mousika and Calvin Klein Collection are interesting to see Versace, whose fashion this season is a man who has been mixed up in the streets, such as the locomotive party and the flying pants in the open pants. Versace is very decorative for fashion presentation, and when a big show comes down, the designer's final perspective stays on the "gay" men who emphasize too much masculinity. They keep emphasizing their "masculinity" day and night, and the reason is self-evident. < /p >
< p > Jil Sander, which has a great reputation among young male groups, is facing enormous challenges. Once again lost the leader of SED's brand team, the report cards handed out this season can only be said to be unsatisfactory, without merit or merit. In addition to the last appearance of the coated flashing fabric, the cut trousers are a little disappointing, and the overall style of the show is still very masculine. Although not as tough and straightforward as Calvin Klein Collection and Versace, but considering its design targets are those growing teenagers, Jil Sander has also failed to live up to the expectations of fashion fans. Another thing to mention is that Marni, Bottega Veneta and Costume National are basically created on the road of "obstinate growth". The opening of the Costume National is a combination of grey coat and black sweater and trousers, giving people a refreshing feel. In the Bottega Veneta show, the dyed sweater is decorated with many stains like blocks. The effect is good, and it is also pleasing. Tomas Maier, the incumbent creative director of the brand, has won the exuberant compliment of veteran Fashion Critic Tim Blonk (Tim Blanks). Think of the men who sweat in the garage to repair cars. It's not difficult to guess the sexy images behind the design. < /p >
< p > no matter how fashions change, as long as the basic social structure exists, the gender differences exist between men and women, then men's clothing will not be contaminated with women's clothing. As H Alice has described in "psychosexual research", "clothing is the implicit expression of sexual desire". The ultimate goal of men's clothing is to add more charm to men. The scope of glamour is very wide, but what really strikes people is the "pure man". < /p >
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