Centennial Family Style, Weaving And Embroidery Inheritance

　　 "Centennial family style, weaving and embroidery inheritance -- China's century old children's clothing and Family Customs Exhibition" It will be opened in Beijing Yindi Art Museum on January 16, 2022. The exhibition will last 10 days and will be held by National art collection Committee of China collectors association It is hosted by Yindi Art Museum and Zhongshu Guoyi International Culture Co., Ltd. All exhibits are from Ms. Tan Li, Deputy Secretary General of national art collection Committee of China collectors association The collection.

The Chinese nation is an inclusive, introverted and reserved nation with a 5000 year history of civilization. China's 100 year old children's clothing and Family Customs exhibition is based on the vivid physical display of these mother and son, so that these unique patterns can show the Chinese spirit and tell Chinese stories; With this nation's most sincere, warm, soft, simple children's clothing, to show maternal love and childish. Through this exhibition, the world can understand the goodness, tenacity and success of this nation with its eyes and hearts, and feel the nation's freedom, peace, and peace in the beautiful world The yearning, praying and pursuing of friendship.

First exhibition in China

As the year of the tiger is approaching, Ms. Tan Li specially selected the collections embroidered to celebrate the new year of the tiger for exhibition, including more than 100 pieces of silk embroidery of traditional costumes and home decoration art of the Qing Dynasty, the Republic of China and modern times.

Children are the continuation of human life, the hope of new life and the future of mankind; In different times and different nationalities, the growth of children is the focus of attention. Adults always give them all good wishes and wishes. In this process, Chinese mothers played a decisive role. They changed from the single original family responsibility of "getting children" to the social obligation of "raising children and becoming talents".

Red satin cloth with figure pattern of fulushou (85 in height and 510 in width)

Magu xianshou and Guo Ziyi's birthday credit in crimson purple land (4.53M high and 2.95M wide)

Red earth silk plate gold lion curtain (height 95, width 341)

In the traditional Chinese children's clothing, we not only see the exquisite skills of Chinese traditional clothing, but also the industrious wisdom of thousands of mothers in the world. Many children's clothes reflect the mother's wish that their children will become useful and useful. They are rich in music, chess, calligraphy, painting and scientific research. They teach their children to study hard, which means that they can become famous when they grow up; The birthday worship, the twenty-four filial piety, and the "hundred children picture", which reflect the theme of loyalty and filial piety, are all textbooks without words. They convey cultural information through pictures and patterns, accompanying the growth of children. The aesthetic value and spiritual value of these fabrics and embroideries may be more real and touching than those fictional drama stories, because they are more beautiful and attractive because they are visible, touching, perceptible and knowable.

In fact, the 100 year experience of Kesi is similar to that of many intangible cultural heritage crafts. In the 1920s and 1930s, with the rolling of industrial ships, the technology of tapestry declined to almost extinction. After that, new China began to rescue the silk tapestry process. In the 1970s and 1980s, it began to make technological breakthroughs and industrial rejuvenation, build factories and develop self-employed enterprises, which was very vigorous. Today, any intangible cultural heritage is a comprehensive product. It is not what it looks like in history, but history has given it rich artistic accumulation. Let people understand the past and the characteristics of the technology of Kesi, so as to better understand the meaning of Kesi which can not be replaced by machines.

In Shanxi and Shaanxi, there are many other areas that are specially made for children, such as "five poisons" shoulder and belly bag. This kind of folk custom is most prominent in the north. It uses colorful satin as the background material, embroidered with scorpion, gecko, spider, centipede, toad animal patterns. Since ancient times, folklore has the function of "fighting poison with poison". People ask children or teenagers to wear "five poisons" on their bodies during the Dragon Boat Festival, hoping that they can grow up healthily.

Tiger modeling has been accompanied by the development and growth of the Chinese nation for thousands of years. The artistic modeling of tiger is colorful, and various folk artistic modeling of tiger is the wealth of the Chinese nation. He wears a tiger's head cap on his head, a tiger's saliva around his neck, a tiger's belly bag on his belly, a tiger's head shoes at his feet, and a tiger's head pillow when he sleeps. People armed the children with tiger shaped clothes. This not only reflects the continued tiger worship on children, but also reflects the important position of tiger culture in folk customs.

"Zhou Li" records very early, people painted tiger on the gate, expecting it to stand guard at the same time to resist disasters, bring good luck. The tiger has the ability to frighten the evil spirits, and has been listed as the third in the zodiac. Xinchou's "year of the ox" is about to pass, and renyin's "year of the tiger" is coming. Therefore, the organizers of the exhibition specially selected tiger patterns from the clothing collection, designed a series of cultural and creative products with the theme of tiger, and welcomed the arrival of the year of the tiger with the image of "tiger" and "tiger" story.

Inheritance and creation of intangible cultural heritage

　　 Private collector Tan Li

Born in 1972, Han nationality, a Hakka from Luchuan, Guangxi; a folk collector of clothing collections in Qing Dynasty and the Republic of China; practitioner of traditional costume culture and aesthetics; Deputy Secretary General of national art collection Committee of China collectors association.

From 2017 to 2021, Tan Li focused on the dissemination and promotion of Chinese traditional costumes and intangible cultural heritage skills, participated in nearly 30 online and offline activities with guqin, tea art, traditional culture and etiquette as the theme, and organized an elegant gathering of traditional clothing culture and aesthetics theme, showing the weaving, dyeing, embroidery and other intangible cultural heritage skills in the traditional clothing collection into the lives of the general public. On May 18, 2019, he participated in the intangible cultural heritage clothing show in Shijiazhuang, and on December 12, he participated in the "Chinese traditional clothing show" in the reception dinner of Chongli skiing World Cup in Zhangjiakou, Hebei Province. In January 2020, she participated in the "national tide show" of Hainan satellite TV; In July, he participated in CCTV channel 3's program "starting for happiness" and other programs, and participated in the costume design of program hosts and small actors. In 2021, she was invited by Tongzhou District Culture and Tourism Bureau of Beijing to hold the "love the capital and meet happiness" Chinese Valentine's Day Keepsake (purse) exhibition. She shared her personal collection of embroidered purse bags and old silver jewelry during the Qing Dynasty and the Republic of China, appreciated folk needlework craft and promoted traditional Chinese culture, This is one of the series of activities of Tongzhou District Culture and Tourism Bureau to create public cultural service system demonstration area; In September of the same year, he was invited by China Central Radio and television to record the program "good life on both sides of the Strait" by the voice of Taiwan Strait; In October, he took part in the recording of CCTV channel 2's "one hammer fixed voice" program.