Let Traditional Chinese Aesthetics Shine With Fashion.

< p > the fifteenth Peking University Guanghua New Year Forum was held in December 21, 2013 at the Centennial lecture hall of Peking University.

The theme of this forum is "a new era of new economy and new changes". The forum focused on the the third Plenary Session of the 18th CPC Central Committee reform of the new deal, and judged the current situation of China's economic development and prospects for future China's reform prospects.

"Upper and lower" brand art director Jiang Qionger said at the meeting that as time goes by, the classic eternal beauty and reality will stay with time, and some will disappear because time will disappear. Time will tell us everything. It is the most appropriate way to combine culture with art into life.

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< p > below is a forum record: < /p >

< p > host Zhai Xin: culture should be part of daily life.

What do you think of Jiang Qiong ear? < /p >

< p > Chiang Qiong Er: we are still a young generation. It is also a short time out of campus. It is not long. In more than 10 years, compared to the time when I graduated from University, in 2000, there were great changes in creative industries or cultural industries in China.

In 2000, it can be said that this is the place of grass. Now we should say that there are not very complete systems and laws in all kinds of flowers and trees in the garden of creative industries. But at least there is a piece of soil that allows us to develop and try, try different ways to culture, try creative industries in different ways, and express our desire and pursuit of creativity in different ways.

I think it's a question of time. The design, creative industries, the rise of culture, and the return of culture have also been in China for the last five to ten years.

I think everything takes time. Western countries today have such a complete and developed system. They also spend 50 or 100 years on art, culture and society.

This is a question of time. Now it means that everything is possible. Now it is in such a state, but as time goes by, the eternal beauty of reality will stay with time, and some will disappear because of the short time. Time will tell us what kind of way to integrate culture into life, and combine art design with life.

So I think we should give you more time to give a target= "_blank" href= "//www.sjfzxm.com/" > designer "/a" for some time, give more time to the cultural people, give ourselves more time to each of us, and find out the right way for us. There is no right or wrong points.

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< p > host: Qiong Er will have a unique understanding of the inheritance of culture.

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< p > Chiang Qiong Er: we have also prepared some contents. I wonder if you have heard of "up and down" and "up and down" is a platform that we started six years ago. A project comes from the brand of Chinese project. The name of the project is the link between the preceding and the following. Our mission is how to link traditional Chinese handicraft industry, how to make Chinese elegant life through innovation, connect with modern people through design, and link up emotionally, aesthetically and functionally.

The biggest challenge of "up and down" and our core values are in fact two words: "inheritance and innovation".

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There are three traditions in our inheritance: P, traditional Chinese handicrafts, traditional Chinese aesthetics, Chinese traditional culture, life philosophy and elegant lifestyle.

Later, we can share with you a little bit. As we all know, is China rich in exquisite handicraft history? In the past dynasties, there were works and implements, porcelain, furniture and so on. But what are the teachers doing today? 90% to 95% of the teachers are making decorations with traditional handicrafts, which are considerable but not available. They can be hung on the wall, but they are not directly related to our daily life.

In the past rich historical civilization, China also had many aesthetic inspiration sources that could be passed down. In the Han Dynasty, < a target= "_blank" href= "//www.sjfzxm.com/" > dress < /a >, vessels of the Song Dynasty, and furniture of Ming Dynasty, the traditional aesthetics expressed by the three dynasties passed through the test of time. Today, to examine it again is still contemporary. Hundreds of thousands of years of history do not leave any impression on this aesthetic body, and it is not outdated. It is eternal.

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< p > inheritance of Chinese traditional culture, philosophy and elegant life style, apart from linking up and down, up and down, these five thousand years are rarely known. The two sides seem to be opposite sides. There are always two seemingly contradictory sides in life, how to find a balance point and how to find a suitable coexistence way.

As you know, the crisis in English is in English. In French, it is (French), the crisis is the risk. The crisis is not very good. Chinese plation is dangerous, plus opportunities and opportunities. This is a way of thinking in the East, and in any case is the opposite poles.

In China, the hope of inheriting life style and life philosophy is gorgeous and plain. It can be gorgeous and peaceful and coexist.

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< p > innovation is the three innovation. The first is how to give traditional Chinese handicrafts a practical function. The handicraft I just shared with you now has little direct relationship with life.

The second is how to make Chinese traditional aesthetics pass the contemporary design in twenty-first Century, which can re create a sense of fashion and age, and bring a sense of cultural surprise.

The third innovation is how to create the new emotional value of Chinese traditional culture.

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< p > I share with you through three kinds of techniques.

Millimeter bamboo fiber comes from Sichuan, which is made by handicraft teachers, especially the imitation animals. The animals are very similar. The elephant is bigger than the real person, and the giant animal is made of 0.3 millimeter bamboo silk. It is the display of the extreme craft. It is not very necessary for such an elephant in life. It is amazing that the process is applied to the tea set. In this series of design, it takes ten days for the teapot to be woven slowly by hand. The whole process of bamboo filament is not only purely aesthetic in aesthetics, but also functional. When drinking tea, this hand will not be hot and will play the role of thermal insulation. The first handicraft is bamboo silk buckle porcelain, 0.3

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< p > below 30 seconds of video clip, this is the original form produced by workers.

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< p > (short video) < /p >

< p > just now on how to shine the new fashion of Chinese traditional aesthetics in twenty-first Century, it is also a comparison of traditional furniture and works. The right side is an antique furniture of the Ming Dynasty. It is also the spiritual temperament of Chinese traditional aesthetics. We are not inherited from the form and elements.

I use the most like understanding of some traditional Chinese rosewood furniture production process.

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< p > (short video) < /p >

< p > the seat of the big world series of red sandalwood is very simple. The whole production process is very complicated. It takes 6 to 9 months. Only an example is given to share with you why the rosewood chair is lighter than the female's skin when it touches it. After dozens of polishing, the final polishing is made of water sand, with a delicate five thousand mesh unit. It is even more delicate than toothbrushing toothpaste. When using such a texture, the surface of the wood is even more smooth than the skin.

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＜p＞　　刚才讲的第三个是如何创造中国传统文化的新的情感的价值，这边用一个羊绒毡子，游牧民族用羊毛做很多毡子的器物，为生活所服务，但在城市生活中，羊毛太沉，太扎，太重，我们通过几年的研究，保留了毡子的工艺，但是把羊毛替换成羊绒，只是原材料上面的替代，研制工程需要两到三年的时间，整个毡子制作工艺非常有意思，整件＜a target="_blank" href="//www.sjfzxm.com/"＞衣服＜/a＞，整个大衣，我佩戴的围巾是没有任何的剪刀，不用任何的裁剪，缝纫机、针和线，而是用两个手把羊绒这个原材料通过梳绒和整理，全部像做雕塑一样，用两个手通过各种各样的动作，搓、揉、拽、拉，这种动作像做雕塑一样做出来的，一件衣服并不是一个简单的时尚的消耗品，它是可以承载着情感的，我等待了两三个月以后，得到羊绒毡子大衣的时候，心中有一种感

And a target= "_blank" href= "//www.sjfzxm.com/" > dress < /a >, for example, there is no direct relationship with the so-called trend, it is contemporary, but it can also be passed down, we have an emotional sustenance to it.

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< p > (short video) < /p >

< p > this is in combing, and emotional creation is not only through works but also through space. This is the retail space of Shanghai. The whole space is woven by high-tech materials and hi-tech fabrics. It is the three bamboo weaving method of traditional bamboo weaving. After high technology processing, it can meet all the requirements of fire prevention. There is a shape memory. The whole design is like a gentle cloud that can hold up the heavy culture of China and has a feeling.

There is a small retail space in Beijing. There is a dialogue between the inspiration of Beijing's retail space and Beijing's urban culture. The source of inspiration comes from the ancient city wall. We use more than 15000 customized white small aluminum pieces to manually install, break the traditional walls and become pparent, creating a traditional wall inspiration. The whole space feels like a time tunnel that brings us to today or even tomorrow. We hope to create a sense of purity and peace.

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