Promoting Transformation And Upgrading Of Textile And Garment Industry With Creativity

< p > the theme of this competition is "dream and leapfrog". The theme of this competition is unique and varied in the paper and pen of the contestants. The contestants' understanding of fashion expression and design also makes the 5 judges in deep industry feel deeply. This is not only for appreciation of the creative ideas of competitors, but also for a target= "_blank" href= "//www.sjfzxm.com/" > textile > /a > industrial clusters to support the development of creative industries. < /p >
< p > < strong > 2013 China International < /strong > a href= "//www.sjfzxm.com/news/" > strong > Fashion originality > /strong > /a > strong > design competition.
< p > < strong > Li Xin's famous fashion < /strong > < a target= "_blank" href= "//www.sjfzxm.com/" > strong > > designer < /strong > < /a > < > > brother > cup.
< p > professional fashion designers are more and more active in the contest. This is the biggest highlight of this preliminary review. Compared with the early days, when we mobilize professional designers to compete, most of them will lose the game with no time and fear of drawing ability than students. However, with the expansion of the competition in the industry, more and more professional designers have won awards in the competition. Many professional designers have been concerned about this competition, and their enthusiasm for participation has increased a lot. The team of professional designers and overseas designers grew stronger in the competition. They enriched the contest with relatively mature works and made the competition more and more attractive. < /p >
< p > from the first to the present, I not only witnessed the progress of the competition, but also saw the great leap forward growth of China Textile City in recent years. Through the competition, let more a target= "_blank" href= "//www.sjfzxm.com/" > Fashion Designer < /a > understand the Textile City, bring their actual needs to the textile city; the fashion designer also has more contact with the upstream fabric enterprises through the contest, and the two sides promote each other in close communication and make common progress. < /p >
< p > for those who want to be trained and promoted through the contest, I think the most important thing is to do solid design and not opportunistic. First of all, we should observe life, enrich ourselves, understand the latest popular information, have our own unique creative ideas and expression techniques, and do not create for competition. Secondly, we must learn to transform and let the accumulation of daily life into our works. This is very important and difficult. Finally, we need to have a serious attitude. I have seen some very rough works in this review. There are few papers on the draft, no color, no style map, no creative design explanation, and this attitude towards my works. The judges only take it as a negative example. < /p >
< p > < strong > LV Yue, China Central Academy of Fine Arts Professor < /strong > < /p >
< p > I have been involved in the important competition evaluation of this industry for many years. The biggest difference between this competition and other competitions is the high participation of professional fashion designers. Through the combination of creativity, drawing and fabric samples, the control of the job designers is higher than that of the college students. There is a big bright spot in this year's entries. Many works are international players' works. These works can be seen from the works of domestic competitors. Of course, it does not mean that the works of international players are stronger than those of domestic designers, but there is a clear difference between style and creativity. < /p >
< p > < a href= > //www.sjfzxm.com/news/index_c.asp > designer < /a > my suggestion is: since it is a competition, it will be very good to fasten the theme and think very well. During the initial evaluation, I can see some familiar drawings. They may be referring to other works. It is not appropriate to do so. To participate in this competition, creative works should be felt, so that the judges can see the passion and creativity of designers, and they will see that there is not much reference and reference, and there are not so many other people's shadows, so that there will be more unique sparkle points. Whether it is to participate in the competition, or to do their own clothing brand in the future, designers need to have their own design language and style, though difficult, but very important, as long as they do, the road ahead will be boundless and boundless. < /p >
< p > < strong > Li Wei, Professor of Academy of Fine Arts, Tsinghua University < /strong > < /p >
< p > the competition has received more than 1700 entries. The content of the draft shows that the richness, diversity and originality are outstanding features compared with previous competitions or other costume design competitions. Among the participants are ordinary fashion designer enthusiasts, designers with a small reputation, and relevant professional students who sign up through school organizations, covering both domestic and international players, breaking through the nationality restrictions. From their works, they can see whether they are professional or amateur designers, their enthusiasm for fashion design and a serious and positive attitude towards competition. < /p >
< p > the theme of this competition is "dream and leap". Everyone has their own dreams. The theme of "dream" is actually a very tolerant and broad concept. It is also intended to test the ability of the players to express their self consciousness. From the expression of "dream", we can see everyone's aesthetic orientation and style characteristics. At the same time, we hope to see the designer's attitude towards fashion. And "span" represents the foresight of design. We expect every player to be able to subvert himself and make different works. "Dreams" and "leaps" are complementary to each other. Designers' attitude towards aesthetics and fashion reflects designers' understanding and talent, and this understanding and talent reach a certain height and express them in appropriate ways before they can "overcome" their limitations. Only by combining these two concepts well can we really fulfill the requirements of this topic for design works. < /p >
< p > in addition, although the number of plagiarized works has declined, this is a very gratifying point I found after my initial evaluation. Although the entries are uneven, "refusing to copy" has always been a spirit worth promoting in the design. Similarly, we can see some shortcomings of the contestants. For example, some highly styled design works are still designed by closing the door, not enough for fashion popularity and market business. We hope to see more and more design works that will combine self-awareness with international vision. < /p >
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< p > < strong > Wang Yi Beijing < a href= "//www.sjfzxm.com > > clothing college < /a > associate professor < /strong > /p >
< p > the first thing that I feel most impressed by this initial review is the contestants' attention to originality. This is very pleasant. In addition, the number of manuscripts is large, and the field of players is wide. We can see that the competition has been popularizing year by year, and the influence and driving force in the industry are increasing. As a judge participating in many competitions, I am glad that it has achieved today. < /p >
< p > I have seen some bright works, considering the market, taking into account practicality and fashion, and many players used Chinese elements in their works. They are not stiff and clever, but of course there are still some works to be done. When I choose the finalists, I want to consider 3 factors: innovation, fashion and ready-made clothes. At present, there are many competitions in costume design. If I want to stand out in the competition, I think we should pay attention to the accumulation at ordinary times and understand the current popularity. In addition, the China international fashion design competition is focused on the competition of garments. Therefore, when designing the work, players should take into account the wearability and the marketability. The effect of garment making is very important, of course, more importantly, it reflects the value of originality. < /p >
< p > the same as previous competitions, the professional players' works are still more prominent. When we look at some students' works, we can see the shadow of a designer's award-winning works more than ten years ago, or the design elements of a fashion designer. These so-called opportunistic tricks are actually hard to escape from the eyes of the judges. As a college teacher, I am very clear about the situation and existing problems of students. In college curriculum setting and weekday teaching, we are advocating innovation while exercising students' practical ability, guiding them to put their creativity into practice in their hands. Whether it is for participating competitions or future work, it is a very important learning promotion process. < /p >
< p > < strong > Tong Zhi Qi < /strong > /p >
< p > China International a href= "//www.sjfzxm.com" > Fashion originality < /a > contest has been held for the fifth time. Compared with previous years, a big bright spot came from the large clothing brands such as Mass Phil and seven wolves, or a large proportion of famous designer studios. With the addition of these more mature designers, we can see that the famous brands and studios attach great importance to this competition and the strong desire to promote the overall level of the design team. This is closely related to the continuous upgrading of the entire garment industry. The clothing industry is undergoing transformation stage, and the brand and technology content in the product is increasing. This industry change is a good opportunity for designers to improve themselves and develop. < /p >
< p > the quality and quantity of the manuscripts of the contestants in this competition has improved compared with the previous ones. At the same time, the proportion of international players is still increasing, which shows that the competition has gradually expanded in the international arena. The active participation of athletes from different countries and nationalities has provided rich and colorful international elements and fashion points for the competition. The entries remain at a relatively high level. Apart from the more mature designers, the judges' lineup is not to be underestimated. The judges invited in this competition are from senior teachers and designers from key institutions of clothing such as Academy of Fine Arts, China Central Academy of Fine Arts, Tsinghua University, and so on, so that the quality of the competition can be guaranteed by the high-level judges. < /p >
< p > at the same time, this competition can also be regarded as the weathervane of garment industry, which is closely related to the development of industry. The promotion of Shaoxing's industrial upgrading is the most practical example. The transaction volume of the local textile and garment market is about 100 billion yuan a year, and the wholesale mode of industry is gradually transforming to the direction of innovation and creativity. It is believed that through the continuous holding of clothing events, more designers will be found and the market will be more vivid because of the influx of new generation. < /p >