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The Development And Evolution Of Chinese National Costumes

2012/7/21 11:24:00 20

CostumesEthnic CostumesNational Culture

Patterns are patterns and figures made up of dots, lines and surfaces.

Patterns used for decoration have long history and rich contents in the history of human development.


Tens of thousands of years ago, we could see the dimness of the basic principles of balance, symmetry and other patterns from the top of the cave.

From the primitive society, we can often see the application of animal and bird patterns on stone tools and arrow sticks and boat buildings. This is a record of human hunting life style. In agricultural society, the inevitable reflection of farming life is the dazzling variety of plant patterns.


...

Life is the source of patterns.


Chinese nation

Clothes & Accessories

The deformation in the pattern becomes whimsical, and some are almost absurd.

Among them, it is a consistent method to collect all kinds of good things without regular use.

So organized, seemingly irrational, but sentient.

Some of them combine part of the objects that are not related to each other, and derive a new object that does not exist. For example, commonly used chicken dragon patterns and fish dragon patterns in Miao embroidery, others are formed by their independent form in unrealistic space; for example, the flowers, fruits, butterflies, fish, birds, animals and so on are all randomly combined in the Yi belt pattern.


As for the individual deformation of the pattern, it is the main method of imagining and reconstructing the various parts of the body, for example.

Xishuangbanna

The horse pattern in the Dai Jin Buddha banner is made up of two sides and eyes composed of the outer shape of the whole shape and the front shape, and the cat's tattoo of the Bai nationality is also a cat face combination of the whole side.

In addition, the deformation of the pattern is also helpful to fit the shape, which is determined by the practicality of the dress pattern.

The practical premise is that decorative patterns must be attached to a certain shape, and form and form are inlaid with each other to form or form a beautiful form.

Moreover, the geometric form of a large number of patterns is often a form of reinforcement and a positive factor.


The different forms of geometric patterns and natural patterns are mostly determined by the degree of attachment to the surface texture formed by warp and weft yarns. When sewing stitches are used to decide the shape and position of the patterns, the geometric patterns are more typical.

Color line brocade is another way of representing geometric patterns under this guideline.

Compared with the free form of natural patterns, geometric patterns are mainly manifested in the rational beauty of tightness, regularity, proportion and rhythm.


The shape of Chinese national costumes is closely linked to the expression of artistic conception of human body and soul with the help of the perfect deformities. The performance of "multi surplus" and "abundance", "happiness" and "Reunion", "love" and "goodness and harmony" can be perfused.

The skillful division of plane space, the handling of the primary and secondary aspects of the virtual reality, the uniformity and balance of change and unity, orderliness and repetition, and the application of the rules of rhythm and rhythm, proportion and contrast all reflect the rich decorative and meaningful beauty of the patterns of different nationalities.


The formation of Chinese national costume patterns is very keen to reflect the characteristics of national culture with its aesthetic meaning.

Based on the limitations of the picture base of the album itself, it is impractical for us to want to print the culture of the Han Dynasty in a limited space.

But for the beautiful shape of the dress patterns of minority nationalities, we can only get the beauty of form first.


In the form of organization, the original intention of dividing and dividing the costumes of minority nationalities is mostly due to the thorough exploration of the culture of deep rooted patterns.

The pattern of patterns is determined by the content and purpose of the patterns, based on the material of life and based on the rules of formation.

For the dress patterns of ethnic minorities, the so-called rule of formation is "the experience of beauty".

The patterns of patterns can be divided into individual patterns, suitable patterns, continuous patterns and comprehensive patterns.


Organize the minority

National Costume

The pattern is too formal and rational, and it lacks the connotation of the soul.

However, we still throw out the patterns like this. Even if we can only show a pure form order for the visitors, it will provide a first step for the appreciation of beauty.

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