Memory Of Ancient Costume In Xinjiang

< p > What do ancient people wear in Xinjiang? < a target= "_blank" href= "//www.sjfzxm.com/" > dress < /a >? How to dress up? Do not wear a black veil? When people wearing black veil and wearing "gilba Fu" appear in our lives, many people still have a vague understanding of this problem. Now, we might as well find out the answer from the recent exhibition of Xinjiang's ancient a target= "_blank" href= "_blank", "the memory of clothing" and the excavation of many precious relics in Xinjiang.

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Adam and Eve, after eating the forbidden fruit, suddenly found themselves naked and ashamed of each other. So they covered their bodies with fig leaves. P

Since then, human beings have known clothes, such as shame, cold and evil.

Later, people invented bone needles, learned to sew clothes, and decorated all kinds of ornaments on their clothes according to their own imagination, which made the clothes beautiful.

Later, people gave different meanings to clothes, and even began to divide their ranks. In the past dynasties, the dress system was complete, and different occasions and officials used different a target= "_blank" href= "//www.sjfzxm.com/" > clothing "/a", ornamentation and colors to decorate themselves.

As a result, multicolored ornamentation, elaborate costumes, and strict hierarchical division make China known as the "Kingdom of clothes".

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Less than P, this old rule has been eliminated by the times.

But from the whole country, including many costumes, murals, silk paintings, sculptures, utensils and so on unearthed in Xinjiang, we can see more about the historical evolution of Xinjiang's ancient costumes and the beauty of costumes of different regions and nationalities.

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Tracing to the root of P, ancient Western costumes showed the beauty of diversity.

With the exchange and integration of ancient Greek and ancient Rome culture, people focused on the beauty of three-dimensional modeling. With the opening of the ancient Silk Road, the aesthetic orientation of Western costumes had a certain impact on the western regions and even China.

From the pre Qin period, the warm woolen Brown woolen fabrics, to the Han and Jin Dynasties, Jinpo silk cotton dress, to the Sui and Tang Dynasties elegant elegant embroidered clothes, and then developed to the red belt of the song and Yuan Dynasties red crown, Jin Jinchen's heroic costumes, and finally evolved into the Ming and Qing Dynasties gorgeous and national style clothing and accessories.

Along the Silk Road, unearthed archaeological excavations in Xinjiang revealed countless kinds of "a target=" _blank "href=" //www.sjfzxm.com/ "> textiles," /a "items such as wool, cotton, hemp and so on, showing us the true history of Xinjiang's ancient dress culture.

Cultural relics are the best witness. Archaeological discoveries show that the ancient ancestors living in Tarim Basin in Xinjiang were basically wearing large woollen cloaks 4000 to 3000 years ago.

Li Wenying, deputy director and researcher of Xinjiang Institute of Archaeology and archaeology, told reporters that those large cloaks were very simple in shape. They were actually a wide rectangular rectangular a target= "_blank" href= "//www.sjfzxm.com/" > cloth < /a > wrapped on the body, with exquisite carved wood needles inserted and fixed, and the necks on feathers, jade, bone beads and other accessories were embossed with primitive simplicity and original beauty.

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During the period of < p > Han Dynasty, Zhang Qian made his two mission to the western region and opened up the silk road.

From then on, the magnificent silk of the Central Plains slowly pported to the Central Asia and Western Asia from the western regions.

India's soft cotton cloth came to the Central Plains from the western regions.

Li Wenying believed that the ancient costumes of Xinjiang began at that time with a great turning point. From the amount of cloth to the clothing, the big cloak of wool was slowly fading from people's life, the round necktie robe made of silk or cotton cloth, the knickers, the knitted skirts, the dome, the top and the top of the "a target=" _blank "href=" //www.sjfzxm.com/ "hat" /a "became the people's daily dress.

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< p > into the Sui and Tang Dynasties and the Five Dynasties, the economic and cultural development of China's feudal society reached its peak.

The open mind, the convergence of eastern and Western cultures, and the use of other ethnic groups in western regions for their own purposes make the costumes of this period bloom with a unique and brilliant flower and spread to the Central Plains.

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From P to song and Yuan Dynasties, the development of various religions and multiculturalism and the colorful culture of different ethnic groups brought about the prosperity and development of dress culture in Xinjiang again.

Especially the Uighur aristocracy and Mongolia aristocratic costumes are magnificent and colorful, showing the vigorous and heroic attitude of the ancestors in this period.

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< p > tracing back to ancient costumes in Xinjiang, Xinjiang archaeologists discovered that ancient Xinjiang was hard to see people wearing black veils and wearing "gilba Fu".

Among all the unearthed relics in Xinjiang, the only woman wearing veil is a painted Figurine with a painted hat from the ancient tomb of Ashtar in Turpan.

The beautiful woman, with thin eyebrows, red lips, and neat hair, was riding on the horse, with a high head hat and a pparent gauze falling down the hat, which seemed to be on a romantic date.

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< p > on this veil, "the old Tang book and public service records" records: "when the martial virtues are chastity, the horseback riders of the palace men are separated from each other in accordance with the Sui Sui system."

In the early Tang Dynasty, when a woman was riding a horse, she wore a gauze hood, covering her head and body, and then gradually wore the sheep's fur hat with a pointed peaked (Persian "Su Muzhe", that is, a headscarf) or a curtain surrounded by pearls and jade.

It is understood that this curtain cap has been found in Dunhuang, Gansu.

Li Wenying, who has been studying ancient costumes in Xinjiang, thinks that the wind and sand in the western regions are large, and the veil is used to cover the wind and sand.

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< p > cultural relics are the best historical testimony. This proves that ancient Xinjiang people are not only black veils. On the contrary, the unearthed colorful silk, cotton, wool, linen fabrics and brightly coloured and ancient costumes, which are very colorful, colorful, embroidered, and even woven on the top, are all confirmed. Ancient Xinjiang people had a strong pursuit of dress beauty.

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P > let us look again. There are some clothes that have been unearthed from Xinjiang: red and yellow children's dress and low crotch pants are in the forefront of fashion in today's society.

When you appreciate this remnant of all kinds of unearthed costumes, you suddenly feel a sense of time and space crossing.

Although time has spanned thousands of years, the ancient costumes, which are still in front of eyes, are still fashionable and bright.

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< p > especially women of all nationalities in ancient Xinjiang pay great attention to how to dress up more appropriately and more beautiful.

Archaeologists found that the clothes, skirts and boots that they had worn were not only very well matched, but also colorful. They liked to embroider all kinds of figures with gold, silver thread and colored thread on their necklines, chest, cuffs and shoulders. They liked to wear gold ornaments, gold rings, Manas necklaces, and so on. How big is this difference from modern people? < /p >

< p > a piece of costumes left from ancient Xinjiang is so true that the history of the millennium of the silk road is described in a thousand years.

At the same time, these ancient costumes are also proving that ancient women in Xinjiang liked gorgeous and fashionable clothes rather than "Kimi PFU" with black veils.

As Hou Shixin, director of the Xinjiang Museum, said, from these ancient Xinjiang costumes, it can be seen that the integration of human production development, textile technology and cultural exchange in ancient Xinjiang directly reflects the aesthetic taste of all ethnic groups in Xinjiang in history, and expresses the communication and exchange among different nationalities in various fields such as physical quality, spirit, and so on. It also explains that Xinjiang has been a large family with many ethnic groups living together, various religions coexisting and cultural integration.

The ancient costumes of Xinjiang are the product of the cultural exchange between the East and the West. Those ancient costumes come with strong regional and national flavor.

From the perspective of archaeology, history and ethnicity and many other subjects and perspectives, experts discovered that ancient Xinjiang ancestors were very good at absorbing the advantages of costumes of various ethnic groups in the region and in the thousands of years of development, and gradually formed their own characteristics.

For example, the wool fabrics, cardigan and narrow sleeves in the pre Qin period are becoming more and more diversified from texture, style, pattern to color.

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< p > those ancient costumes are the product of cultural exchange between East and West.

Ancient Persia, India, Rome and other cultures, and later Arabia culture and many other cultures, gathered and mixed up on Xinjiang's land, presented a colorful look.

At the same time, it is also an important part of Chinese national costume culture. Especially 3000 years ago, all kinds of woollen fabrics were rare in the mainland, but in Xinjiang, they were extraordinarily rich and well preserved. This is a rare material material for the study of Xinjiang's clothing history and even the history of Chinese clothing.

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< p > those ancient costumes can be preserved so far. Yu Zhiyong, director of Xinjiang Institute of Archaeology and archaeology, mainly comes from Xinjiang's unique natural geography and climate.

Among them, silk, cotton, wool and linen fabrics represent the ancient costumes of Xinjiang, which is a wonderful flower in the long river of dress culture.

He believes that these ancient costumes are crisscrossed, colorful, rich in patterns, beautifully embroidered, and even even written on the top. They are characterized by distinct characteristics of the times, regional characteristics and distinct ethnic cultures. Their historical, archaeological and artistic research values are self-evident.

In particular, it is of great significance to guide the people of all ethnic groups in Xinjiang to clarify their vague understanding, to clear up the source, and to protect and inherit the national costumes.

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Adili Abliz, a researcher at the Xinjiang Museum, has always devoted herself to the study of ancient costumes in Xinjiang. Whenever he told the students and the grassroots in Urumqi about the development of the ancient costumes culture in Xinjiang, he reviewed the historical origin, development and pformation of the ancient costumes in Xinjiang. He told everyone that Xinjiang nationalities, especially Uygur women, had their very traditional dress and dress customs, such as the Edelis skirts, the gold velvet hat, all kinds of embroidered shirts and colorful headscarves. Nowadays, with the continuous development and progress of the society, those who are wearing black veils and wearing black robes are a serious regression phenomenon in the dress culture of Uygur women.

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< p > tracing back to the history of millennium, the beauty of neon is endless.

Now let us appreciate and appreciate the beauty of ancient Xinjiang costumes from these precious and rich historical relics.

< a href= "//www.sjfzxm.com/news/index_p.asp > > Xinjiang < /a > the traditional costumes of ethnic minorities are colorful, colorful and various.

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