The Rise Of Fashion In India

In nearly 400 pages.

What do you see in the September edition of fashion September? Ladies and gentlemen see the tailor made dress. The beauty of the city is the beauty of facial yoga. The movie enthusiasts see the Bollywood Alia Bhatt. What the insiders see is hope - the hope of India fashion design rising on the international stage.

Amit Agarwal, Ahuga couple, Anis Arola, nestin balshahan, Lahur Mishra and Parial Pratap Singh, who will win the first prize of the Fashion Foundation Award in India, will win the first prize of the Fashion Foundation awards in India. The winner will not only win the thirty thousand pound prize jointly issued by the India fashion design Committee and fashion magazine, but also have the opportunity to enjoy the one year's careful guidance under the famous teacher's door.

The first "electric shock" Fashion Foundation in India is influenced not only by the nation but also by the world.

Without mentioning Naeem Khan, who has long foothold in New York, he will soon be there.

Anis Arora, who is "newly installed", is the latest fashion designer of Prabal Gurung, who has been bustling for a while in the fashion circle. His inspiration comes from Anish Kapoor, a sculptor and winner of Turner Prize in Mumbai, India.

Gulong also entered the final of the American Fashion Fund Awards in 2010. As one of the few Asian Americans at that time, its performance was still glorious. Barney, s, Neiman Marcus, Browns, Lane Crawford and other fashion brands threw their Hydrangea repeatedly, and later became the favorite of Demi Moore, Oprah and Lady Gaga.

The success of fame should be attributed partly to the "live advertisement" made by the first lady of the United States. This India style red carpet trump card has successfully entered more than 200 famous department stores worldwide, including the top quality hall Bergdorf Goodman, the Neiman Marcus favored by the rich women, and the brand store store plan of London's century old Ricci Burns and Naeem Khan, which are also being carried out in an intense way. Michel Obama's brand name is also very popular.

As for the reputation of Arola in recent years, his brilliant resume during Paco Rabanne as creative director is enough to explain everything.

"The whole world is looking to the East."

Gulong believes that in the face of the so-called "heterogeneous" culture, people's mentality is becoming more open and more inclusive. Meanwhile, the market is becoming more and more mature, and the demand for design is becoming more and more urgent. Among them, the rise of China and India is the most striking.

For designers, walking between the globalization and localization is a highly difficult technological activity.

Naeem's attempt to create the effect of human body painting with gold thread clothing is no doubt a great attempt to reinterpret traditional crafts in a modern way, inspired by the India ascetic man who smeared ashes on his body.

In Nye's 2012 autumn winter women's show, a little cinnabar in the eyebrows of India women has become a fine decoration of sterling silver dresses. The elegant print patterns are actually a replica of the monk's ashes, and the traditional Turkey robe dress and the gold wrapped dress have complicated patterns of Turkey robes.

The pendulum of gold and silver thread, the embroidered sleeves of jewelry, and the exquisite white robes of exquisite workmanship.

The ancient autumn and winter series of Gurong are custom-made for ancient kings and nobles in India. In the 2013 spring and summer series, there are more flavors of heavy weight: close fitting jackets with loose trousers, asymmetrical tail tails, and the kulta gauze robes flying in the corner of the skirt.

Arola's design continues to be vivid and bright. It has both the local flavor of India handmade embroidery and the modern graffiti printing.

In fact, as early as Nim and Arola, India's design has begun to try to connect with the international community, but its progress can only be described by "cobweb turtle", and its sense of existence on the world stage is almost none.

"Yes, we have a fashion design institute, but the market in India is so big that we don't need to go to the west to make a living."

Naeem explained.

The result is not India's design, but the Dongfeng's monopoly of the Fashion Fund Award. In order to explore new business potential, the foundation also pays close attention to the impact of India fashion on the world.

Indeed, as Finn Malis, founder of India fashion week, said, India has so many talented people, so many fresh blood, but has not left a trace on the international fashion stage. Isn't it a pity for India and even the whole world?