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Knowledge Sharing In Fashion Design

2012/8/2 14:23:00 23

Fashion DesignClothing KnowledgeClothing Technology

 

  

Clothing design

Belongs to the arts and crafts category, practicality and artistic combination of an art form.

Design (Design) means planning, conceiving, and setting up plans. It also includes images, drawings, and modeling. The definition of costume design is an innovative plan and creation to solve problems in people's dress and life system.

A frontier discipline involving a wide range of fields is closely related to social science and natural science, such as literature, art, history, philosophy, religion, aesthetics, psychology, physiology and ergonomics.

As a comprehensive art, dress design has the commonality of general practical arts, but it has its own characteristics in content and form as well as means of expression.


1. The characteristics of fashion design


Relationship between costume design and human body


Clothing is based on the human body for shaping, usually known as the "second layers of human skin" clothing design depends on the human body clothing and display can be completed, at the same time, the design is also subject to human body structure constraints, so the starting point of clothing design should be people, the end is still people, people are the core of clothing design closely around.


On the basis of satisfying the practical functions, fashion design should closely combine the characteristics of the human body, use the exterior design and the internal structure design to emphasize the graceful shape of the human body, foster strengths and circumvent weaknesses, fully embody the beauty of the human body, and show the overall charm of the perfect combination of clothing and human body.


Even though the styles of clothes are ever-changing, they are ultimately subject to the limitations of the human body.

Different regions, ages, and different people's body bones are not the same. Clothing in the state of human movement and static state is also different. Therefore, only by observing, analyzing, solving the human body's structure and the characteristics of the human body in exercise can we make full use of all kinds of artistic and technical means to make the art of clothing full play.


Two) clothing design and

Political economy

Relationship


The change of social politics and the level of social and economic development directly affect people's dressing psychology and way during this period, and can often form the dressing characteristics of an era.

The developed economy and open politics have attracted people's attention to the fine and varied styles of costumes.

In the long history of ancient China, the Tang Dynasty once reached its heyday in politics and economy. During that period, women's dress materials were exquisite, decorated many, and their shapes were open.


On the one hand, the development of the economy has comforted people's desire for consumption and purchasing power, and the demand market for clothing has been expanding day by day.

On the other hand, the demand of clothing market has also promoted the development of production level and technology level. The effect of industrial use of artistic invention has become a channel to convey culture. The development of new clothing materials and the development of production technology have greatly enhanced the vitality of clothing design.


Three) relationship between costume design and culture and art


Under different cultural backgrounds, people have formed their own unique social mentality. The influence of this mentality on clothing is huge and omnipresent. It can simply compare the dress styles of the East and the West. It can be seen that under the influence of different historical culture and living customs, there is a sharp difference between costumes and costumes.

Generally speaking, Eastern clothing is more radical, implicit, rigorous and elegant, while Western clothing is more innovative, bold, bold and casual.

Clothing design should be targeted design, according to people's different cultural background in clothing modeling, color and other choices to take corresponding changes.

At the same time, with various countries and regions

Culture

With increasing communication, clothing design should also absorb the essence of its nation and form its own unique style of clothing.


In addition, all kinds of art trend of thought will have a great influence on clothing.

For example, since the early twentieth Century, the constructivism of the general school, the Cubism of the avant-garde in 90s, or the art schools and artistic trend of nature returning to nature and restoring the ancients, all have obviously or not influenced the change of clothing and formed a popular trend.


Two, ---T. P. O. Prerequisites for dress design.


The practical function and aesthetic function requirement of clothing requires that the designer first make clear the purpose of the design, and make creative assumptions based on the basic conditions of the objects, environment, place, time and so on, so as to find a high degree of harmony between people, environment and clothing.

This is the prerequisite for dress design that must be considered in general. ---T. P. O. Principles.


T. P. O. Three letters respectively represent Time time) Place place, environment) Object main body, wearer)


1. time (Time) simply put forward that different climatic conditions have different requirements for the design of clothing. Clothing modeling, fabric selection, decoration techniques, and even the shaping of artistic atmosphere must be affected and limited by time.

At the same time, some special occasions put forward special requirements for fashion design, such as graduation ceremony, wedding celebration and so on.

The clothing industry is still a constant pursuit.

fashion

And fashion industry, clothing design should have a sense of advance, grasp the trend of popularity, and guide people's consumption tendency.


2. occasions, environment (Place people in life often have to be in different environments and occasions, all need to have the appropriate clothing to suit the different environment.

Clothing design should take into account the needs and preferences of people in different places, and the requirements of etiquette and customs in certain places.

The design of a tuxedo and a sportswear is quite different from that of a sportswear. It is suitable for gorgeous places of communication. It accords with the etiquette requirements of this environment. Sportswear appears in sports occasions, and the design must be lightweight and suitable for sports needs. An excellent clothing design must be the perfect combination of clothing and environment.


3. the main body and the wearer (Object) is the center of costume design. Before designing, I want to analyze and classify all kinds of human factors, so that people can design pertinence and localization.

Clothing design should be based on statistical analysis of human morphological characteristics of different regions, different sex and age groups, and understand the basic knowledge of human engineering, so as to design scientific and fitting garments.

From the perspective of individual, different cultural background, educational level, personality and culture, artistic taste and economic ability all affect individual's choice of clothing, and the design plan should be determined according to individual characteristics.


Three. The application of the basic principles and rules of formal beauty in fashion design


The basic principles and laws of formal beauty are the analysis, organization, utilization and morphation of natural beauty.

In essence, it is the coordination of change and unity.

All aesthetic principles that visual arts should follow are permeated with many forms of art, including painting, sculpture, architecture, and so on, and are also aesthetic principles throughout the costume design.

There are several aspects such as proportion, balance, rhythm, error and emphasis.


The 1. proportion ratio is a rule of interrelation, which reflects the ratio between the length and area of each thing, the ratio of part to part, and between the part and the whole.

For clothing, the ratio is the contrast between the size of each part of the garment.

For example, the relationship between skirt length and overall clothing length; the relationship between the size of the pocket decoration and the size of the whole garment.

The comparison of numerical relations reaches the unity and coordination of beauty, which is called proportional beauty.


2. balance a point of intersection, the two sides are different in quantity, but in different forms, the state of keeping balance is called balance.

It shows two forms: symmetrical balance and asymmetrical balance.


The symmetrical balance is the opposite balance of the area, size and material of the two sides. This balance relation can be used in clothing, showing a rigorous, dignified and tranquil style. Some military uniform and uniform design are often used.

In order to break the symmetry and seriousness of symmetrical balance and pursue lively and novelty dress appeal, asymmetrical balance is more applied to modern fashion design. This balance relation is based on the pursuit of the principle of losing the center of gravity.

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3. rhythm, rhythm and rhyme are the terms of music. They refer to the continuum of music, the pitch between the sound and the sound, and the feeling reflected by the interval.

In visual arts, points, lines, planes and bodies are arranged regularly according to a certain distance and direction, and rhythms are produced by the movement of continuous repetition.

There are three kinds of repeated changes, regular repetition, irregular repetition and hierarchical repetition.

These three rhythms of rotation


Different rhythms and rhythms have different characteristics in visual perception.

In the design process, we should combine the clothing style and ingenious application in order to achieve unique rhythmic beauty.


4. visual error can be caused by the refraction of light and the reflection of objects, or because of the different perspectives of people, the different directions of distance, and the difference in visual ability of human beings. This phenomenon is called visual error.

For example:


1 the two straight lines are perpendicular to each other, and the vertical line is more wrong than the horizontal line.


2 take three rectangles of the same size. If the image is segmented, people will see that the rectangle of vertical lines is longer than the rectangle of a vertical line.


The application of the wrong understanding to dress design can make up or repair the whole defect.

For example, the heavier body is concealed by increasing the vertical lines or patterns in clothing.

Visual error plays a very important role in garment design. The comprehensive design of visual error can give full play to the advantages of modeling.


5. emphasize that clothing must emphasize talents and be vivid and attractive.

The so-called stress factor is the most striking part of the whole. Although it is small in size, it has a "special" effect. It has the powerful advantage of attracting people's vision and has the effect of finishing the finishing touches.

There are many factors that can be emphasized in clothing design, including the emphasis on position and direction, the emphasis on material mechanism, and the emphasis on quantity.


6. the change and unification of change and unification are the most basic and important rules of many rules of formal beauty of clothing.

Change refers to the fact that when different elements are combined together, there is a feeling of obvious contrast and difference. Changes have the characteristics of diversity and sense of movement, and differences and changes can be achieved by coordinating, coordinating and responding to the overall relationship, so that the opposition between them can be subordinated to the orderly relationship, thus forming a sense of identity and order.

The relationship between change and unity is a unity of opposites and interdependence.

In fashion design, we should not only pursue the variety of styles and colors, but also prevent the unrest of various factors from being unified.

In pursuit of the unified style of order and aesthetic feeling, we should also prevent the lack of monotonous and monotonous feelings caused by changes. Therefore, in the process of unification, we must seek unity in change and change, and keep the moderation of change and unity, so that dress design can be perfected day by day.

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