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What Basic Knowledge Should A Clothing Pattern Designer Possess?

2010/12/28 15:32:00 61

Knowledge Of Clothing Pattern Teachers

There are a lot of people who are good at learning who often ask me whether learning board is difficult. What knowledge should I possess and grasp? Generally speaking, as a pattern designer, there should be three aspects of knowledge:

Human knowledge

Knowledge of materials and clothing technology.

Human knowledge includes:

The structure of human skeleton and the structure of human muscle, the body surface form of human body and the general characteristics of human body's static state, the general characteristics of human motion and the dynamic characteristics, the ratio of human growth and development, the laws of balance before and after human body changes, the difference between male and female in the shape of the human body, the special type of human body shape variation, the classification of the size of the human body and the size of the size, and the size and type of the body are suitable for the coverage and the proportion of the human body.

The knowledge of clothing materials is first and foremost.

Surface auxiliary materials

The texture properties are different.

When making garments, you must master the properties of the surface accessories so that they can make appropriate adjustments in the making of the board. For example, according to the specific performance and value of the natural shrinkage, temperature rise shrinkage and shrinkage rate, it is necessary to adjust the system in order to ensure the specifications of the finished products.

Secondly, the surface difference of fabric, the positive and negative sides of fabrics, and the different textures have great influence on the making of boards, such as the reverse alignment of fabrics, the reverse pattern, and the patterns of patterns, mandarin ducks, and so on.

Again, the concept of warp and weft, the main form of fabric is made of warp and weft yarn.

Cloth

The length of the selvage is the warp yarn, usually called the straight yarn, and the width of the width is weft yarn, commonly known as cross yarn. Because of their different processes in the textile process, they have their own unique properties and their applications in clothing are also different.

The straight yarn has the characteristics of being strong and not easy to elongate and deform. It is suitable for the vertical direction of the human body, mainly in the aspect of the length of the garment.

The quality of the cross yarn is soft, the twist is small, and it can be slightly elongated or reduced. It is suitable for lateral use of the human body, mainly for the circumference of the garment and the width of the parts.

Skew yarn is the intersection point of warp and weft yarn. It has large flexibility, flexibility, good plasticity, easy to bend and change. It is often used in many places such as strands on clothing. It has the excellent effect of plump, curved, round, and natural. Besides, it also has the effect of smooth and smooth, full of waves and relaxation.

Two points should be noted for the use of skew yarn, one of which is 45 of the warp and weft yarn.

The oblique angle is positive skew yarn with the best performance, greater than or less than 45.

The angle has different degrees of influence; secondly, it should consider the direction of skew yarn with oblique and vertical oblique, also known as broken wire and Shun silk.

The pattern designer must also understand the methods of making garments. There must be close coordination between board making and sewing process.

(1) seam structure, such as the back seam, side seam, sleeve seam and upper collar seam of the upper garment.

Bottom crotch seam

Waist seam, side seam and so on. There are other ways to perform sewing, including splitting and suture.

The inverted seam can be divided into the side seam, the side seam, the side seam, the open seam, the cheese seam, the dark package, the Ming Bao and so on.

(2) edge structure, the edge of each part or part of clothing must have a form of folding or other single form, such as bottom pendulum, cuff, trouser mouth, stop, armhole, neckline and so on. These structures should be reflected in the making of boards.

(3) the difference of internal structure, including the structural relationship between the surface and lining of clothing and other accessories, for example, whether the coat is full or half, or not, the lining and manufacturing process should be changed.

(4) the shaping process is aimed at shortening or extending certain parts in order to reach the convex or concave sides of the surface. The method includes manual pulling or folding, plus the fixing of the lead bar and the contraction of the arch line of the hand needle, and also the professional equipment.

plastic

To handle crotch, burn the chest and so on, these processes must be properly treated and adjusted when making boards.

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